Long-Awaited Bell To Complete Smith College Carillon


NORTHAMPTON, Mass. – Wistful words penned by a French poet adorn the new bell that is slated to complete Smith College’s carillon, a set of tuned bells connected to a keyboard in College Hall.

The 2,000-pound instrument, custom built in France, produces one of the lowest chimes of the 48 bells that make up Smith’s carillon. While more common in Europe, there are less than 200 carillons in the United States. (To hear a carillon, scroll down this Culver Memorial Chapel Web page and choose a “sound file.”)

“When the carillon was built in the 1970s, one of the low bells was not installed,” said Grant Moss, senior lecturer in music. “The new bell is due to arrive in the states around March 13. After clearing customs, it will be ready to be shipped to Smith for installation.”

Expected to be hoisted into place before the end of the month, the bell will bear the words of Marceline Debordes-Valmore in French. Translated to English, the verse reads: “When the bells in the evening slow down time in the valley, if you have no friends or lovers close to you, think of me! Think of me!”

Most big bells have an inscription, according to Moss, who asked Music Director Peter Bloom to make the selection for the new one.

Bloom’s choice, with its entreaty “think of me,” seems particularly apt given the history behind the carillon. The bells that initiated the collection were funded by an endowment in the memory of Dorothea Carlile ’22, who died of influenza early in her first year of Smith. Carlile’s parents began the fund and restricted it to the purchase of bells “to preserve the memory of a particularly joyous and buoyant personality.”

Over time, the endowment allowed the original set of 12 bells to expand in number and musical range to two octaves, making it an official carillon.

As defined by the Guild of Carillonneurs in North America, a carillon is a musical instrument consisting of at least two octaves of bells arranged in chromatic series and played from a keyboard.

In the final significant step for Smith’s instrument, through the generosity of the Very Reverend and Mrs. Charles U. Harris – who will be honored in an inscription on the bell – the  number of octaves in the carillon doubled to four.

The bells that make up Smith’s carillon range in size from a D-sharp, weighing 24 pounds, to the D-sharp four octaves lower, weighing more than 2,800 pounds.

A musician plays the carillon from a baton clavier, which is made up of a set of wooden keys or batons. The keys are about the shape of broomstick handles but slightly smaller and are arranged in two rows, like the keys of a piano.

The two lowest octaves of bells are also connected to pedals so that they may be played with the feet. Because it would be impossible to practice playing the carillon without the sound ringing across campus, the musician practices on a digital instrument in the room in College Hall directly below the actual instrument.

Bloom, who selected the inscription for the bell, will not likely be on campus the first time the complete carillon is played, an event that is planned for commencement weekend. But, he noted, “From Paris, where I am directing the Smith junior year abroad program in the midst of university professors on strike, essentially because the government seems not to value their work, I hope the new bell will ring out for peace, freedom and harmony.”

Smith College educates women of promise for lives of distinction. One of the largest women’s colleges in the United States, Smith enrolls 2,800 students from nearly every state and 62 other countries.

Office of College Relations
Smith College
Garrison Hall
Northampton, Massachusetts 01063

Kristen Cole
Media Relations Director
T (413) 585-2190
F (413) 585-2174
kacole@email.smith.edu

Installations | Mar 20


Dalton State College Bell Tower


The construction of the majestic 75-foot bell tower, which will “transform” the campus into a more traditional-looking college environment, is well underway, as can be seen from these recent photographs.

“Over time, the bell tower will become the physical icon for the campus, showing not only the community’s support for Dalton State but also the aspirations of the institution,” remarks David Elrod, Director of Institutional Advancement.

The bell tower, which should be completed by November, is the first “bricks and mortar” project resulting from funds raised by the DSC Foundation’s successful $21 million capital campaign earlier this year.

Local architect Greg Sims drew up the plans for the bell tower and the quadrangle and has been overseeing the project, Elrod says. Paccard Fonderie des Cloches is the France-based foundry from which the “tailor-made” bells were ordered.

“The bells were poured earlier this year and were transported by ship containers to the port in Charleston,” Elrod says, noting that the Paccard foundry has been “casting” bells since 1796.

“The bells range in size from the smallest, which weighs 49 pounds and is only 12 inches tall, to the largest, which is 40 inches in diameter and weighs 1, 323 pounds,” he adds.

The bells, which are cast of bronze, contain pure copper and block tin at various ratios depending on the size of each bell, but most bells are comprised of 78 percent copper and 22 percent tin.

Once completed, the bell tower will toll the Westminster Chimes on the hour, every hour.   The bells in the tower can be programmed to play as many as 1,000 different melodies.

On occasion, a carillonneur will be invited to campus to play the bells on a traditional keyboard for concerts and special events.

Installations | Mar 19


Christoph Paccard Bellfoundries News


First In the Finest Cast Bronze Bells

Uncategorized | Feb 12


Cathedral of St. John the Baptist to be Fitted with Three Bells


Cathedral seeks ringing endorsement for steeple

By Adam Parker
The Post and Courier
Sunday, November 16, 2008

In 1854, the first Roman Catholic cathedral in Charleston was completed, but it burned to the ground just seven years later, during the Great Fire of 1861. At 218 feet, it had been the tallest building in Charleston.

In 1907, the current building, the Cathedral of St. John the Baptist, opened at the same Broad Street site, but funding had been insufficient to build the steeple.

Now, more than 100 years later, plans have been laid to finish the job once and for all.

A capital fundraising campaign launched two years ago raised enough money to pay for repair of the cathedral’s stained-glass windows, and continued fundraising is expected to enable the Diocese of Charleston to repair the brownstone facade and erect a bell tower and steeple, according to Sharon Walker, cathedral historian. The work is expected to continue through 2009, she said.

The tower is to be fitted with three bells procured from Christoph Paccard Bell Foundry in France. The foundry, established in 1796, has made 120,000 bells over the centuries, including some for several Charleston churches. The Catholic diocese is paying $140,000 for its set.

Together, the bells will form an E-major chord, Walker said. The G-sharp bell is meant to complement the sound issuing from the tower of St. John’s Lutheran Church nearby.

“The chords were chosen to add our own unique signature to the city, and to enhance the soundscape of the Holy City,” said the Rev. Gregory Wilson, Cathedral priest.

Once complete, the bell tower and steeple will reach 168 feet into the air.

On Saturday at 7 p.m., the diocese is sponsoring the “Ball for the Bells” fundraising event, to be held at the Charleston Visitor Center and featuring live music and food prepared by local chefs. Proceeds from the $100 tickets will be used to buy the bells.

For more about the black-tie-optional event, call 724-8395.



Tower Bell Returns to Summerville Town Hall


By Dave Munday
The Post and Courier
Thursday, July 31, 2008
Stan Christoph, president of Christoph Paccard Bellfoundries of Charleston, guides the bell and frame into the tower in the new Summerville Town Hall annex Monday.

CHARLIE MILLER

Stan Christoph, president of Christoph Paccard Bellfoundries of Charleston, guides the bell and frame into the tower in the new Summerville Town Hall annex Monday.

SUMMERVILLE — The bell that went up in Summerville’s town center this week is a milestone of progress and a reminder of the past.

It’s also got a special ring that will give Summerville residents something to brag about when talking to Charlestonians.

The bell went up Monday, but electricians were still hooking up the wiring Wednesday.

The bell tops an annex made necessary by the town’s rapid growth over the last decade. For example, a much bigger auditorium will relieve overcrowding at council meetings, and there’s a room with a TV monitor for overflow crowds.

The bell restores a tradition. The old bell announced the opening and closing of business hours, lunch breaks and fire alarms.

The town got it in 1893 from The Arsenal, formerly known as Porter Military Academy of Charleston, according to a history provided by the town. The bell was lost when the wood town hall was torn down 40 years ago. Now it’s back on the grounds of Porter-Gaud School.

“I grew up on Richardson Avenue (across from Town Hall), so I was very familiar with that bell,” Summerville Preservation Society President Heyward Hutson said. “I think it brings back a really wonderful tradition.”

He added that he’s not sure about the rest of the annex, especially the new parking garage, which he fears could overshadow the old town hall.

“We will have to wait and see how it all looks after it’s completed to determine if it brings back that traditional feel,” Hutson said. “I think the bell tower will, for sure.”

Town officials are putting a positive spin on it.

“This new bell tower captures the essence of the original tower and carries forward the vision of Summerville’s founding fathers,” Town Administrator Dennis Pieper said.

Commercial Realtor Robert Pratt, who grew up in Summerville and went to school a few blocks up Main Street, said he’s glad to see it. He remembers the bell and a museum that displayed snakeskins.

“It kind of keeps you in touch with your past,” Pratt said. “I think the bell will be a wonderful reminder.”

The new bell was tuned to blend with nearby church bells, said Stan Christoph, president of Christoph Paccard Bellfoundries of Charleston, which installed it.

The bell is tuned to the D above middle C. The bells at nearby St. John the Beloved Catholic Church are tuned to C, E and G, and the bell at St. Luke’s Lutheran Church is tuned to A, Christoph said.

“On special occasions when they all ring their bells, it will be a stunning occasion, in musical harmony with each other,” he said. “It will be an unbelievably beautiful sound.”

The bells in downtown Charleston are “gorgeous when they all ring, but it’s more of an eclectic sound,” he said. “In Summerville, there’s this unique situation.”

Reach Dave Munday at 745-5862 or dmunday@postandcourier.com.

Installations | Jan 13


Bell Hoisted Into Tower At Episcopal Church Of Our Saviour


Episcopal Church Of Our Saviour To Celebrate With October 19th Ceremony

For nearly a century, a church bell tower in downtown Rock Hill has stood silent — never actually holding a bell.

That changed Monday when a 1,000-pound brass bell was hoisted into the tower of The Episcopal Church of Our Saviour.

A small crowd of church members attended the bell-raising on the sidewalk at the intersection of Caldwell and White streets.

After Colin, several 3- and 4-year-olds from the church’s day school class took turns striking the bell with wooden spoons.

Sophie Grice, 4, turned and smiled for cameras after she coaxed a “dong” from the bell.

Cole Carruth, 3, experimented hitting the bell in several places, eliciting various pitches of “dings” and “dongs.”

The youngsters’ testing complete, parish chaplain Rick Hanners led church members in a prayer of dedication before giving the order: “Take her up!”

Right on cue, a crane operated by Rock Hill-based Leitner Construction slowly lifted the bell up to the tower.

“Easy now,” Hanners said, watching the bell being guided into the tower by Chuck White and Jerry Knight. They work in Charleston for Christoph Paccard Bellfoundries, the French company that cast the bell.

Purchase and installation of the bell is part of the 700-member church’s million-dollar restoration project, which began in January.

The church, built in 1872, originally had a smaller, wood-framed tower that, according to historic photographs, contained a small bell, said Marsha Millar, head of the restoration committee.

The existing brick tower, built in the early 1900s, did not contain a bell, Millar said.

“There is no evidence in the tower itself that a bell was hung there,” said church member Hugh Rock, 67. “There was no hardware or brackets, no support. We had to build support into the tower.”

The bell was cast in Annecy — a town in the French Alps just south of Geneva, Switzerland. It arrived at the church about two weeks ago. “It is an A-3 bell, which means it has a mellow, deep tone,” Millar said.

The bell will be rung by an electronic striker controlled from within the church. The tower would not support a swinging bell, Millar said.

Planning for the restoration began more than two years ago, Millar said. The goal was to restore the church to its original Carpenter Gothic Style, which incorporates Gothic features such as towers and pointed arches.

Church restoration focused on essential renovations such as new heating, wiring, floors and walls, Rock said.

“The bell was an extra, but we were able to get them all,”

Rock said. “I am really pleased.”

Member Diane Rudulph, 54, is excited the church will finally have a bell. It will get its first ring in the tower on Oct. 19, during a dedication ceremony.

“The people in this church will really love it,” Rudulph said.

Installations | Jan 13


Christoph Paccard Becomes Exclusive Rep for Paccard Bellfoundry


Christoph Paccard Bellfoundries is proud to announce that they have recently become the exclusive representative for the Paccard Fonderie des Cloches in the United States. Stan Christoph is President of Christoph Paccard and has 15 years of experience at all levels of bell and clock instrument design, manufacturing, installation and service. Philippe Paccard, Director of the Paccard Fonderie des Cloches, of Annecy, France supports Christoph Paccard with bronze bell and musical sculpture instrument design, engineering and sales. Mr. Philippe Paccard is the seventh generation to operate the Paccard Fonderie des Cloches.

Christoph Paccard is honored to represent the Paccard Fonderie des Cloches, makers of the world’s finest cast bronze bells since 1796. Known worldwide for their warmth and sweetness of tone, Paccard bells are the benchmark by which others are judged. In addition to making the world’s finest bells, Paccard is known for developing the acoustically balanced carillon.

Each Paccard Bell is meticulously crafted by hand, carefully cast using the lost wax process, and finely tuned to exacting musical standards. Cast only of bronze, Paccard bells are composed of pure red copper and block tin. Although the ratio of copper to tin is different depending on the size of the bell, most bells are approximately 78% copper and 22% tin.

Only new metal is used in the casting. When selecting a cast bronze bell, it is also critically important to choose a founder who understands how to properly tune a bell. Paccard is the best choice.

At Christoph Paccard, we take pride in our products and workmanship. Our business is built on integrity, high quality customer service, and customer satisfaction. Our ultimate goal is to deliver products that are built to the highest standards in the industry.

Regardless of the scope of your project, whether it requires a carillon, a peal, a chime, or just a single bell, our goal is to partner with you to design, plan and implement the right solution for your unique needs.